Ciklus fotagrafija okupljen pod nazivom THEflag – @ in Arcadia ego uopćeno govoreći kritizira sve izraženiji problem otuđenja. Međutim, spomenuta karakteristika suvremenosti sagledana je iz nešto drugačije perspektive. Perspektive provoditelja (neo)liberalnog kapitalizma – kao zamjenjivog dijela mašine pokretane danonoćnim radom obilježenih klonova. Različitost uronjena u tako agresivan sustav umire brzo poput napuštenog Megapenthesa, a ono što ostaje bezlično je bljedilo. Krv (=život) je konačno ispovraćana, a zastava revolucije podignuta je nad vješala.
Photography cycle THEFrag – @ in Arcadia ego provides criticism of the alienation problem in general. However, this characteristic of modern society is perceived from a different perspective. From the angle of servants of (neo)liberal capitalism as an irreplaceable part of the machine that is living by virtue of night-day work of million clones. Within that aggressive system originality dies fast as a lonely Megapenthes and the thing that survives is only impersonal paleness. Blood (=life) is finally thrown up and THEflag of revolution raises above gallows.
